Visual Sound, Inc. 12-Channels Powered Mixer, 500 Watts EMX5000-12

Description
Yamaha Commercial Audio Systems, Inc. The model EMX5000-12 is used where the shows demands serious input capacity and power. Features a 500-watt per channel multi-mode stereo power section that will fill even fairly large venues with outstanding sound. And although it is a integrated powered mixer designed with convenience and portability in mind, delivers features and performance that will satisfy even the most discerning performers and sound engineers. All-in-one Integration Simple Setup and Operation Unmatched Portability Superior Sonic Quality Serious Reliability and Safety High-quality linear faders individually adjust the level of each channel PFL (pre-fader listen) switches allow isolated monitoring of individual channels All input channels feature signal and peak indicators for visual signal monitoring Channel ON switches let you switch individual channels into or out of the mix Pan control adjusts the position of the channel signal in the stereo sound field Two Effect send controls delivers the channel signal to the mixer's dual high-performance internal effect systems, or outboard effect processing gear, as required Aux 1 and Aux 2 send controls with pre/post fader switching adjust the level of the channel signal sent to the auxiliary buses for monitoring or effects send 3-band channel equalizer with sweepable mid band offers extremely flexible, independent response shaping control for each channel 80-Hz high pass filters for elimination of unwanted low-frequency noise and rumble Gain controls and 26-dB pad switches allow optimum level matching with just about any source Insert patch points on mono input channels for insertion of external compressors, equalizers, or other processing gear "B" inputs for direct connection of line sources or high-output instruments Balanced "A" inputs with switchable phantom power ensure optimum performance with all high-quality microphones Phantom power switch applies phantom power to the "A" inputs for phantom-powered condenser microphones Stereo line inputs let you handle any line-level stereo source - stereo keyboards, outboard stereo effects, BGM etc. - via a single channel Dual Stereo Sub inputs with level controls and PFL switches allow convenient connection to sub-mixers or other stereo sources 2TR inputs and level control can be used to mix the output from a tape deck or other stereo source into the main and monitor outputs Rec Out jacks deliver the main program signal to an external recorder Dual effect processors offer a selection of 16 professional-quality SPX digital effects each, with a main "Parameter" controls that can be adjusted to tailor the effects to your sonic requirements The parameter setting is memorized for each effect program Tap-delay makes it easy to produce tempo-synchronized delays Effect Send jacks deliver the signal from the channel Effect send controls to an external effect processor Aux send 1 and 2 outputs deliver the corresponding auxiliary signal for external processing or monitoring Stereo outputs can be used to drive an external power amplifier or sound system from the main program Power amp input connectors facilitate the insertion of external equalizers or other processing gear into the main program Stereo Sub Out level control and output jacks allow sub-mix cascading to a second mixer Mono output featuring a switchable low-pass filter with continuously-variabl e (screwdriver-adjusta ble) 80~120Hz cutoff frequency for subwoofer drive Foot Switch jacks accept optional FC5 foot switch to turn the effect 2 on or off, and tap in the tempo for the tempo delay effect "on the fly" Phones jack with independent level control Panel-top Lamp socket Limiter indicators tell you when the internal limiter circuitry has been activated due to power amplifier overload Yamaha Speaker processing switch for smoother high frequencies and enhanced low-end output from Yamaha speakers Power amplifier output selector allows selection of 500, 300, or 100 watt output per channel Power Amp mode selector allows two-channel power amplifier to be quickly configured for Main + Main, Mono + Aux 1, Aux 1 or Aux 2, or Bridged operation Stand-by switch instantly mutes all mono inputs 9-band graphic equalizer with ON switch provides flexible sound-tailoring and feedback control. T Effect-section Aux 1 and Aux 2 sends adjust the amount of effect signal sent to the corresponding auxiliary buses Precise 12-segment stereo level meter Carrying handle doubles as an armrest for extra control comfort Stereo master fader with both PFL and AFL switches Linear Aux 1, Aux 2, and Mono Out master faders with AFL (after-fader listen) monitor switches Linear Effect return faders with PFL and ON switches a High-quality SPEAKON speaker connectors for fast, reliable connection. Phone jack connectors are also provided
Description
Yamaha Commercial Audio Systems, Inc. The model EMX5000-12 is used where the shows demands serious input capacity and power. Features a 500-watt per channel multi-mode stereo power section that will fill even fairly large venues with outstanding sound. And although it is a integrated powered mixer designed with convenience and portability in mind, delivers features and performance that will satisfy even the most discerning performers and sound engineers. All-in-one Integration Simple Setup and Operation Unmatched Portability Superior Sonic Quality Serious Reliability and Safety High-quality linear faders individually adjust the level of each channel PFL (pre-fader listen) switches allow isolated monitoring of individual channels All input channels feature signal and peak indicators for visual signal monitoring Channel ON switches let you switch individual channels into or out of the mix Pan control adjusts the position of the channel signal in the stereo sound field Two Effect send controls delivers the channel signal to the mixer's dual high-performance internal effect systems, or outboard effect processing gear, as required Aux 1 and Aux 2 send controls with pre/post fader switching adjust the level of the channel signal sent to the auxiliary buses for monitoring or effects send 3-band channel equalizer with sweepable mid band offers extremely flexible, independent response shaping control for each channel 80-Hz high pass filters for elimination of unwanted low-frequency noise and rumble Gain controls and 26-dB pad switches allow optimum level matching with just about any source Insert patch points on mono input channels for insertion of external compressors, equalizers, or other processing gear "B" inputs for direct connection of line sources or high-output instruments Balanced "A" inputs with switchable phantom power ensure optimum performance with all high-quality microphones Phantom power switch applies phantom power to the "A" inputs for phantom-powered condenser microphones Stereo line inputs let you handle any line-level stereo source - stereo keyboards, outboard stereo effects, BGM etc. - via a single channel Dual Stereo Sub inputs with level controls and PFL switches allow convenient connection to sub-mixers or other stereo sources 2TR inputs and level control can be used to mix the output from a tape deck or other stereo source into the main and monitor outputs Rec Out jacks deliver the main program signal to an external recorder Dual effect processors offer a selection of 16 professional-quality SPX digital effects each, with a main "Parameter" controls that can be adjusted to tailor the effects to your sonic requirements The parameter setting is memorized for each effect program Tap-delay makes it easy to produce tempo-synchronized delays Effect Send jacks deliver the signal from the channel Effect send controls to an external effect processor Aux send 1 and 2 outputs deliver the corresponding auxiliary signal for external processing or monitoring Stereo outputs can be used to drive an external power amplifier or sound system from the main program Power amp input connectors facilitate the insertion of external equalizers or other processing gear into the main program Stereo Sub Out level control and output jacks allow sub-mix cascading to a second mixer Mono output featuring a switchable low-pass filter with continuously-variabl e (screwdriver-adjusta ble) 80~120Hz cutoff frequency for subwoofer drive Foot Switch jacks accept optional FC5 foot switch to turn the effect 2 on or off, and tap in the tempo for the tempo delay effect "on the fly" Phones jack with independent level control Panel-top Lamp socket Limiter indicators tell you when the internal limiter circuitry has been activated due to power amplifier overload Yamaha Speaker processing switch for smoother high frequencies and enhanced low-end output from Yamaha speakers Power amplifier output selector allows selection of 500, 300, or 100 watt output per channel Power Amp mode selector allows two-channel power amplifier to be quickly configured for Main + Main, Mono + Aux 1, Aux 1 or Aux 2, or Bridged operation Stand-by switch instantly mutes all mono inputs 9-band graphic equalizer with ON switch provides flexible sound-tailoring and feedback control. T Effect-section Aux 1 and Aux 2 sends adjust the amount of effect signal sent to the corresponding auxiliary buses Precise 12-segment stereo level meter Carrying handle doubles as an armrest for extra control comfort Stereo master fader with both PFL and AFL switches Linear Aux 1, Aux 2, and Mono Out master faders with AFL (after-fader listen) monitor switches Linear Effect return faders with PFL and ON switches a High-quality SPEAKON speaker connectors for fast, reliable connection. Phone jack connectors are also provided

Suppliers

Company
Product
Description
Supplier Links
12-Channels Powered Mixer, 500 Watts - EMX5000-12 - Visual Sound, Inc.
Broomall, PA, USA
12-Channels Powered Mixer, 500 Watts
EMX5000-12
12-Channels Powered Mixer, 500 Watts EMX5000-12
Yamaha Commercial Audio Systems, Inc. The model EMX5000-12 is used where the shows demands serious input capacity and power. Features a 500-watt per channel multi-mode stereo power section that will fill even fairly large venues with outstanding sound. And although it is a integrated powered mixer designed with convenience and portability in mind, delivers features and performance that will satisfy even the most discerning performers and sound engineers. All-in-one Integration Simple Setup and Operation Unmatched Portability Superior Sonic Quality Serious Reliability and Safety High-quality linear faders individually adjust the level of each channel PFL (pre-fader listen) switches allow isolated monitoring of individual channels All input channels feature signal and peak indicators for visual signal monitoring Channel ON switches let you switch individual channels into or out of the mix Pan control adjusts the position of the channel signal in the stereo sound field Two Effect send controls delivers the channel signal to the mixer's dual high-performance internal effect systems, or outboard effect processing gear, as required Aux 1 and Aux 2 send controls with pre/post fader switching adjust the level of the channel signal sent to the auxiliary buses for monitoring or effects send 3-band channel equalizer with sweepable mid band offers extremely flexible, independent response shaping control for each channel 80-Hz high pass filters for elimination of unwanted low-frequency noise and rumble Gain controls and 26-dB pad switches allow optimum level matching with just about any source Insert patch points on mono input channels for insertion of external compressors, equalizers, or other processing gear "B" inputs for direct connection of line sources or high-output instruments Balanced "A" inputs with switchable phantom power ensure optimum performance with all high-quality microphones Phantom power switch applies phantom power to the "A" inputs for phantom-powered condenser microphones Stereo line inputs let you handle any line-level stereo source - stereo keyboards, outboard stereo effects, BGM etc. - via a single channel Dual Stereo Sub inputs with level controls and PFL switches allow convenient connection to sub-mixers or other stereo sources 2TR inputs and level control can be used to mix the output from a tape deck or other stereo source into the main and monitor outputs Rec Out jacks deliver the main program signal to an external recorder Dual effect processors offer a selection of 16 professional-quality SPX digital effects each, with a main "Parameter" controls that can be adjusted to tailor the effects to your sonic requirements The parameter setting is memorized for each effect program Tap-delay makes it easy to produce tempo-synchronized delays Effect Send jacks deliver the signal from the channel Effect send controls to an external effect processor Aux send 1 and 2 outputs deliver the corresponding auxiliary signal for external processing or monitoring Stereo outputs can be used to drive an external power amplifier or sound system from the main program Power amp input connectors facilitate the insertion of external equalizers or other processing gear into the main program Stereo Sub Out level control and output jacks allow sub-mix cascading to a second mixer Mono output featuring a switchable low-pass filter with continuously-variabl e (screwdriver-adjusta ble) 80~120Hz cutoff frequency for subwoofer drive Foot Switch jacks accept optional FC5 foot switch to turn the effect 2 on or off, and tap in the tempo for the tempo delay effect "on the fly" Phones jack with independent level control Panel-top Lamp socket Limiter indicators tell you when the internal limiter circuitry has been activated due to power amplifier overload Yamaha Speaker processing switch for smoother high frequencies and enhanced low-end output from Yamaha speakers Power amplifier output selector allows selection of 500, 300, or 100 watt output per channel Power Amp mode selector allows two-channel power amplifier to be quickly configured for Main + Main, Mono + Aux 1, Aux 1 or Aux 2, or Bridged operation Stand-by switch instantly mutes all mono inputs 9-band graphic equalizer with ON switch provides flexible sound-tailoring and feedback control. T Effect-section Aux 1 and Aux 2 sends adjust the amount of effect signal sent to the corresponding auxiliary buses Precise 12-segment stereo level meter Carrying handle doubles as an armrest for extra control comfort Stereo master fader with both PFL and AFL switches Linear Aux 1, Aux 2, and Mono Out master faders with AFL (after-fader listen) monitor switches Linear Effect return faders with PFL and ON switches a High-quality SPEAKON speaker connectors for fast, reliable connection. Phone jack connectors are also provided

Yamaha Commercial Audio Systems, Inc.

The model EMX5000-12 is used where the shows demands serious input capacity and power. Features a 500-watt per channel multi-mode stereo power section that will fill even fairly large venues with outstanding sound. And although it is a integrated powered mixer designed with convenience and portability in mind, delivers features and performance that will satisfy even the most discerning performers and sound engineers.

  • All-in-one Integration
  • Simple Setup and Operation
  • Unmatched Portability
  • Superior Sonic Quality
  • Serious Reliability and Safety
  • High-quality linear faders individually adjust the level of each channel
  • PFL (pre-fader listen) switches allow isolated monitoring of individual channels
  • All input channels feature signal and peak indicators for visual signal monitoring
  • Channel ON switches let you switch individual channels into or out of the mix
  • Pan control adjusts the position of the channel signal in the stereo sound field
  • Two Effect send controls delivers the channel signal to the mixer's dual high-performance internal effect systems, or outboard effect processing gear, as required
  • Aux 1 and Aux 2 send controls with pre/post fader switching adjust the level of the channel signal sent to the auxiliary buses for monitoring or effects send
  • 3-band channel equalizer with sweepable mid band offers extremely flexible, independent response shaping control for each channel
  • 80-Hz high pass filters for elimination of unwanted low-frequency noise and rumble
  • Gain controls and 26-dB pad switches allow optimum level matching with just about any source
  • Insert patch points on mono input channels for insertion of external compressors, equalizers, or other processing gear
  • "B" inputs for direct connection of line sources or high-output instruments
  • Balanced "A" inputs with switchable phantom power ensure optimum performance with all high-quality microphones
  • Phantom power switch applies phantom power to the "A" inputs for phantom-powered condenser microphones
  • Stereo line inputs let you handle any line-level stereo source - stereo keyboards, outboard stereo effects, BGM etc. - via a single channel
  • Dual Stereo Sub inputs with level controls and PFL switches allow convenient connection to sub-mixers or other stereo sources
  • 2TR inputs and level control can be used to mix the output from a tape deck or other stereo source into the main and monitor outputs
  • Rec Out jacks deliver the main program signal to an external recorder
  • Dual effect processors offer a selection of 16 professional-quality SPX digital effects each, with a main "Parameter" controls that can be adjusted to tailor the effects to your sonic requirements
  • The parameter setting is memorized for each effect program
  • Tap-delay makes it easy to produce tempo-synchronized delays
  • Effect Send jacks deliver the signal from the channel Effect send controls to an external effect processor
  • Aux send 1 and 2 outputs deliver the corresponding auxiliary signal for external processing or monitoring
  • Stereo outputs can be used to drive an external power amplifier or sound system from the main program
  • Power amp input connectors facilitate the insertion of external equalizers or other processing gear into the main program
  • Stereo Sub Out level control and output jacks allow sub-mix cascading to a second mixer
  • Mono output featuring a switchable low-pass filter with continuously-variable (screwdriver-adjustable) 80~120Hz cutoff frequency for subwoofer drive
  • Foot Switch jacks accept optional FC5 foot switch to turn the effect 2 on or off, and tap in the tempo for the tempo delay effect "on the fly"
  • Phones jack with independent level control
  • Panel-top Lamp socket
  • Limiter indicators tell you when the internal limiter circuitry has been activated due to power amplifier overload
  • Yamaha Speaker processing switch for smoother high frequencies and enhanced low-end output from Yamaha speakers
  • Power amplifier output selector allows selection of 500, 300, or 100 watt output per channel
  • Power Amp mode selector allows two-channel power amplifier to be quickly configured for Main + Main, Mono + Aux 1, Aux 1 or Aux 2, or Bridged operation
  • Stand-by switch instantly mutes all mono inputs
  • 9-band graphic equalizer with ON switch provides flexible sound-tailoring and feedback control. T Effect-section Aux 1 and Aux 2 sends adjust the amount of effect signal sent to the corresponding auxiliary buses
  • Precise 12-segment stereo level meter
  • Carrying handle doubles as an armrest for extra control comfort
  • Stereo master fader with both PFL and AFL switches
  • Linear Aux 1, Aux 2, and Mono Out master faders with AFL (after-fader listen) monitor switches
  • Linear Effect return faders with PFL and ON switches
  • a High-quality SPEAKON speaker connectors for fast, reliable connection. Phone jack connectors are also provided
Supplier's Site

Technical Specifications

  Visual Sound, Inc.
Product Category Audio Amplifiers and Preamplifiers
Product Number EMX5000-12
Product Name 12-Channels Powered Mixer, 500 Watts
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